Like to sing? Here's some bling.

User Quotes - on both wired and wireless versions of the V7

"I PREFER the sE V7 microphone vs. the industry benchmark dynamic vocal microphone."

- Ken "Pooch" Van Druten, FOH Engineer (Linkin Park, Justin Bieber, Kid Rock) - sE Artist

“It’s a breath of fresh air to have a mic that is not only a dynamic capsule with great rejection, but to also have a very smooth high mid response with a nice airy top end makes it a force to be reckoned with. It also responds very well to cupping, which is helpful in keeping a more consistent vocal tone. I am a huge fan of the V7!”

- Drew Thornton, FOH / Mix Engineer (Billie Eilish)

“We love our capsules. It works fantastic with Big Sean for his dynamic changes from rapping to singing. The capsule has a very clean sound and its high output helps with not having to over-use preamps. I highly recommend it.”

- Luis “Lou” Rodriguez, Monitor Engineer (Big Sean)

"We are totally in love with these V7 MC1 capsules. It works perfectly with Common’s voice and style!"

- Tim Hibbert, Monitor Engineer (Common)

“We took a listen, did a comparison, and that was an awesome thing. It rejected better, it sounded more like Justin’s voice when we handed it over to him, and it’s just making it a lot easier on us - in front of PAs especially, because these days your artist is in front of the system quite a bit, and it just makes our job a lot easier…we just really love the capsule, it’s been great."

- Andy Meyer, FOH Engineer (Justin Timberlake, Madonna, Guns N’ Roses, Rage Against The Machine) - sE Artist

“The V7 MC1 was by far the most stable capsule I have ever used even in front of a PA! They were smooth & crystal clear. I found I could place the voice right where I wanted in the mix with zero leakage even on small stages. From falsetto to full voice it was all there. These are a game changer!”

- Jeremy du Bois, PM / FOH (Nick Carter, Trey Songz, Iggy Azalea)

“Straight away the V7 sounded more like the vocal sound I was trying to achieve. With a lot less EQ’ing, I was able to quickly dial in the sound I needed. I was a bit skeptical trying out a new capsule at such a large show (02 Arena London) but it sounded great. The rejection was very impressive, and the bleed that was present was more pleasing and easier to work into the mix. The price also makes it a no brainer.”

- Jamie Skey, FOH Engineer (Mabel)

"I have a new snare mic now. The sE V7 beat all my usual (and a few unusual) suspects in a blind test, and now it’s my go-to. Perfect tone and great hi-hat rejection. It’s killer!"

- F. Reid Shippen, GRAMMY®-winning mix engineer / producer (Ingrid Michaelson, Kenny Chesney) - sE Artist

“Switching to the V7 was a great decision. Brought up the mic flat in a ‘not so great’ club, and even flat it sounded amazing. Very smooth top end and workable mid range. Captured Daniel Tompkin’s vocal perfectly. I will definitely keep this one in my arsenal.”

- Weston Blaha, FOH Engineer (TesseracT)

"..feels comfortable and substantial in the hand...delivers a solid, natural vocal sound with good resistance to popping and suitably low handling noise."

"They manage to sound punchy without ever being over-harsh in the presence region...[the V7's] extended frequency response and good resistance to feedback make it a strong performer."

- Sound On Sound, Feb 2017

"In a direct shoot out against my 57, I found the response particularly informative down around 100Hz without sacrificing any of the excitement and nuance up at 5kHz and again at 12- 15kHz."

- Mixdown Magazine, July 2017

"I am absolutely floored by the versatility of the V7. The way that mic handles the highs while still maintaining the low end qualities of my voice truly stunned me...I'm having a lot of fun with it on stage."

- Terra Lopez, Singer (Rituals of Mine) - sE Artist

"On snare, the huge bottom end of the V7 conjured a snare sound that could punch through walls...for big heavy snares, this mic is a must have."

- MusicTech, March 2017

"The V7 really allows me to keep Tommy’s vocal up front in the mix, whether he is going from singing to screaming or anything in between."

- Gary Sharpe, FOH Engineer (Between the Buried and Me, Every Time I Die) - sE Artist

"The V7 is an all around great mic that really captures my voice and blocks out the rest. I’ve had a lot of issues in the past with feedback - as we like it really loud on stage - and this mic seems to be a perfect fit for what I’m looking for."

- Alexis Mincolla, Singer (3Teeth) - sE Artist

"We recently did a shootout with the new sE V7 handheld vocal mic against two classics, the Shure SM-58 and SM-7 and were very impressed with the V7. It had a much more extended top and bottom and the off axis rejection was much, much better than either of the Shure classics."

- John Baccigaluppi, Single Fin Studio Group

"We did an A/B comparison through the Q wedge and the V7 smoked a standard 58...it's easily worth $150-199."

- Ryan Pickett, FOH Engineer (Ray LaMontagne, My Morning Jacket, Jim James) - sE Artist

"I was shocked by how big a difference there was in off-axis rejection, handling noise and susceptibility to plosives. In side-by-side testing, the sE V7 outperformed a group of all the usual suspects–it's a winner in my opinion."

- Lynn Fuston, Recording Engineer (Amy Grant, DC Talk, Michael W. Smith)

"With the V7, singing behind the drums is not a problem anymore. Besides the fantastic sound, the V7 isolates my voice perfectly from the drums, and now it's possible to record my vocals while drumming."

- Titus Vadon, Composer / Musician - sE Artist